"Metamorphoseon, P. 169: Modus 4, Lento espressivo" by Ottorino Respighi, John Neschling, Orchestre Philharmonique Royal de Liège was released on September 1, 2010. The duration of Metamorphoseon, P. 169: Modus 4, Lento espressivo is about 3 minutes long, at 3:12. Based on our data, "Metamorphoseon, P. 169: Modus 4, Lento espressivo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 82 in the song's album "Respighi: Orchestral Works". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Metamorphoseon, P. 169: Modus 4, Lento espressivo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Metamorphoseon, P. 169: Modus 4, Lento espressivo by Ottorino Respighi, John Neschling, Orchestre Philharmonique Royal de Liège having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
4 Liriche, P. 125 (arr. Adriano): La sera | Ottorino Respighi, Adriano, Faridah Schäfer-Subrata, Slovak Radio Symphony Orchestra | C Major | 7 | 8B | 174 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM | ||
44 Duos for 2 Violins, BB 104, Vol. 1: Parosito (Teasing Song) | Béla Bartók, György Pauk, Kazuki Sawa | B Minor | 0 | 10A | 112 BPM | ||
Respighi & Rossini: La boutique fantasque, P. 120: VII. Nocturne | Gioacchino Rossini, Ottorino Respighi, Alceo Galliera, Philharmonia Orchestra | F Minor | 4 | 4A | 126 BPM | ||
Adoration | Florence Beatrice Price, Randall Goosby, Zhu Wang | G Major | 1 | 9B | 79 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM |
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