"Der Kaiser von Atlantis, Op. 49b, Scene 1 "Die Tod-Verweigerung": Das waren Kriege (Live at Prinzregenten Theater, Munich 10/10/2021)" by Viktor Ullmann, Tareq Nazmi, Munich Radio Orchestra, Patrick Hahn had its release date on April 15, 2022. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Ullmann: Der Kaiser von Atlantis, Op. 49b "Die Tod-Verweigerung" (Live at Prinzregenten Theater, Munich 10/10/2021)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Der Kaiser von Atlantis, Op. 49b, Scene 1 "Die Tod-Verweigerung": Das waren Kriege (Live at Prinzregenten Theater, Munich 10/10/2021) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Kaiser von Atlantis, Op. 49b, Scene 1 "Die Tod-Verweigerung": Das waren Kriege (Live at Prinzregenten Theater, Munich 10/10/2021) by Viktor Ullmann, Tareq Nazmi, Munich Radio Orchestra, Patrick Hahn having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schwanenlied | Fanny Mendelssohn, Sivan Goldman, Shira Shaked | E Major | 1 | 12B | 93 BPM | ||
Pray “Psalm 23” | Yohan Susilo | A♭ Major | 2 | 4B | 79 BPM | ||
String Quartet No. 3, Op. 46: No. 3, Largo | Viktor Ullmann, Bennewitz Quartet | C Minor | 1 | 5A | 116 BPM | ||
Adagio & Fugue in C Minor, K. 546 (Version for String Orchestra) | Wolfgang Amadeus Mozart, Nuova orchestra da camera Ferruccio Busoni, Massimo Belli | G Major | 3 | 9B | 118 BPM | ||
Sinfonia antartica "Symphony No. 7": I. Prelude. Andante maestoso | Ralph Vaughan Williams, Elizabeth Watts, BBC Symphony Chorus, BBC Symphony Orchestra, Martyn Brabbins | F Major | 2 | 7B | 116 BPM | ||
Quintet, KV. 407 (Arr. for Horn Trio by Ernst Naumann): II. Andante | Wolfgang Amadeus Mozart, Martin Owen, Francesca Dego, Alessandro Taverna | A Major | 4 | 11B | 119 BPM | ||
Mayenlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | A Major | 0 | 11B | 71 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
Rêverie | Fernand de la Tombelle, Munich Radio Orchestra, Herve Niquet | E Major | 1 | 12B | 99 BPM | ||
Piano Concerto, Op. 25: IV. Allegro molto | Viktor Ullmann, Annika Treutler, Stephan Frucht, Rundfunk Sinfonieorchester Berlin | B♭ Major | 1 | 6B | 103 BPM |