Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 10.3 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 10.3 - Wie Google tickt - How Google Works is about 3 minutes long, at 3:24. Based on our data, "Kapitel 10.3 - Wie Google tickt - How Google Works" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #24 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 10.3 - Wie Google tickt - How Google Works is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 10.3 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 10.3 - Wie Google tickt - How Google Works being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
Tosca / Act 3: Prelude - "Io de' sospiri" | Giacomo Puccini, Ann Murray, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | D Major | 2 | 10B | 101 BPM | ||
Laudaste Dóminum, monedas gentes (salmo 116) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
Charpentier: Magnificat, H. 74: III. Quia fecit mihi magna | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Dawn Upshaw | D Major | 1 | 10B | 173 BPM | ||
Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
The Music Makers, Op. 69: II. We are the music makers (Chorus) | Edward Elgar, Andrew Davis, BBC Symphony Orchestra, BBC Symphony Chorus | B♭ Minor | 0 | 3A | 128 BPM | ||
The Mass: Sanctus | Patrick Cassidy | C Major | 1 | 8B | 65 BPM | ||
La mi sola, Laureola… | Maria Bayo, J.A. Alvarez-Parejo | A Major | 0 | 11B | 167 BPM | ||
4 Letzte Lieder, TrV 296: No. 3, Beim Schlafengehen | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Petite messe solennelle: Kyrie I | Gioachino Rossini, The New Chamber Singers, Andrea Cappelleri, Filippo Farinelli, Sabine Belei, Ricardo Bonci | D Minor | 3 | 7A | 101 BPM |
Section: 0.7293574810028076
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