Fernando Sor, Enea Leone made "25 Progressive Lessons, Op. 60: XVI. Progressive Lesson No. 16. Andantino" available on August 8, 2014. With 25 Progressive Lessons, Op. 60: XVI. Progressive Lesson No. 16. Andantino being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 121 in the song's album "Sor: Complete Studies for Guitar". In this album, this song's track order is #88. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, 25 Progressive Lessons, Op. 60: XVI. Progressive Lesson No. 16. Andantino's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 25 Progressive Lessons, Op. 60: XVI. Progressive Lesson No. 16. Andantino by Fernando Sor, Enea Leone having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: Song without Words, Op. 30, No. 6, Venetian Boat Song II | Felix Mendelssohn, Gerald Garcia | D Minor | 0 | 7A | 67 BPM | ||
Stepping Lightly | Jeffrey McFadden | C Major | 1 | 8B | 119 BPM | ||
Valse, Op. 64: II. Tempo giusto | Frédéric Chopin, Tatyana Ryzhkova | A Minor | 4 | 8A | 147 BPM | ||
Sonate en la majeur, K. 208: Adagio e cantabile | Domenico Scarlatti, Thibault Cauvin | A Major | 2 | 11B | 111 BPM | ||
Serie Americana: Tonada | Hector Ayala, Victor Villadangos | A Major | 1 | 11B | 123 BPM | ||
Serie Americana: Takirari | Hector Ayala, Victor Villadangos | G Major | 0 | 9B | 148 BPM | ||
Merry-Go-Round of Life - From "Howl's Moving Castle" | Plínio Fernandes | G Minor | 1 | 6A | 180 BPM | ||
Keyboard Sonata in D Major, K.178/L.162/P.392 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | A Major | 1 | 11B | 119 BPM | ||
Andante No. 1, Op. 320 | Ferdinando Carulli, Flavio Cucchi | G Major | 0 | 9B | 99 BPM | ||
24 Progressive Lessons, Op. 31: No. 6, Andante | Fernando Sor, Enea Leone | C Major | 1 | 8B | 134 BPM |
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