"Orfeo ed Euridice: Act I, Scene 1, Orfeo: Basta, basta, o compagni!" by Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, Bernarda Fink was released on September 28, 2001. With Orfeo ed Euridice: Act I, Scene 1, Orfeo: Basta, basta, o compagni! being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor's "Gluck: Orfeo ed Euridice" album is number 3 out of 33. Orfeo ed Euridice: Act I, Scene 1, Orfeo: Basta, basta, o compagni! is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Orfeo ed Euridice: Act I, Scene 1, Orfeo: Basta, basta, o compagni! by Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, Bernarda Fink to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
German Requiem, Op. 45: Ihr habt nun Traurigkeit | Johannes Brahms, London Symphony Orchestra, Sally Matthews, Valery Gergiev, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 2, Arie mit Chor. "Nun schwanden vor dem heiligen Strahle" - "Verzweiflung, Wut und Schrecken" (Uriel, Chorus) | Joseph Haydn, William Christie, Choeur des Arts Florissants, Toby Spence, Les Arts Florissants | B♭ Major | 4 | 6B | 116 BPM | ||
Quartet in G major / Sol majeur / G-dur: II. Vivace - Moderato - Vivace | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | E♭ Minor | 2 | 2A | 115 BPM | ||
Orfeo ed Euridice: Act III, Scene 3, Ballo. Allegro | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | E Major | 1 | 12B | 114 BPM | ||
Jenufa / Act 2: Co chvila ... co chvila | Leoš Janáček, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B Major | 2 | 1B | 77 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 6 & 7. N.7 Terzetto Il Conte, Basilio, Susanna "Cosa sento! tosto andate" | Wolfgang Amadeus Mozart, Concerto Köln, Kobie Van Rensburg, Patrizia Ciofi, René Jacobs, Simon Keenlyside | B♭ Major | 2 | 6B | 111 BPM | ||
Petite messe solennelle: Et resurrexit | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | E Major | 2 | 12B | 137 BPM | ||
Le nozze di Figaro, K. 492 / Act 1: "Bravo, signor padrone...Se vuol ballare...Ed aspettaste" | Wolfgang Amadeus Mozart, Samuel Ramey, Kurt Moll, Jane Berbié, London Philharmonic Orchestra, Sir Georg Solti | A Major | 1 | 11B | 69 BPM | ||
Vivaldi: Orlando finto pazzo, RV 727: "Alla rosa ruggiadosa" (Grifone) | Antonio Vivaldi, Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi | F♯ Major | 1 | 2B | 121 BPM | ||
Il natal d'Apollo: Ove son? Qual'aure io spiro (Erifle) | Vincenzo Righini, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | B♭ Major | 1 | 6B | 106 BPM |
Section: 0.6030936241149902
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