Katharina Kammerloher, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen's 'La gara degli dei: "All' opra"' came out on April 26, 2013. With La gara degli dei: "All' opra" being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Heinichen: La gara degli dei" album is number 25 out of 27. On top of that, Germany appears to be the country where this track was created. In terms of popularity, La gara degli dei: "All' opra" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La gara degli dei: "All' opra" by Katharina Kammerloher, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rückert Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Andreas Schmidt, Cord Garben | D♭ Major | 0 | 3B | 62 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Geh aus, mein Herz und suche Freud | August Harder, Michaela Kaune, Katharina Kammerloher, Hanno Müller-Brachmann, Eric Schneider | D Major | 1 | 10B | 106 BPM | ||
Lasciatemi morire! | Claudio Monteverdi, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
Massenet: Don Quichotte, Act 4: "Lorsque le temps d'amour a fui" (Dulcinée) | Jules Massenet, Michel Plasson, Teresa Berganza, Orchestre Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Der Trompeter von Sackingen: Prologue: Darum greif nach der Trompete (Conradin, Werner, Landsknechte, Students) | Victor Nessler, Hermann Prey, Franz Hawlata, Christoph Spath, Reinhard Hagen, Alfred Kuhn, Regina Klepper, Katharina Kammerloher, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Helmut Froschauer | A Major | 1 | 11B | 91 BPM | ||
Turandot: Act I: Gira la cote! Gira! | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM | ||
Act Two: Aria Ali: Unter Palmen Schlief Ich Ein - opera | Manhattan School of Music Opera Theater | D Major | 0 | 10B | 85 BPM | ||
La bonne chanson, Op. 61: No. 3, La lune blanche luit dans les bois | Gabriel Fauré, Stéphane Degout, Alain Planès | D Major | 2 | 10B | 127 BPM | ||
Spring Symphony, Op. 44, Part III: Sound the Flute (chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | B Minor | 2 | 10A | 125 BPM |
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