"Tous les regretz" by Antoine Brumel, Les Jardins de Courtoisie, Anne Delafosse-Quentin was released on August 31, 2006. The duration of Tous les regretz is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Tous les regretz's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 17 in Carnetz secretz (Marguerite d'Autriche) by Les Jardins de Courtoisie, Anne Delafosse-Quentin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Tous les regretz is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tous les regretz by Antoine Brumel, Les Jardins de Courtoisie, Anne Delafosse-Quentin is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tenebrae Responsories, Feria quinta: V. Judas mercator pessimus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | C Major | 1 | 8B | 70 BPM | ||
Jephte: Plorate, filii Israel | Giacomo Carissimi, Ängby Chamber Choir, Anders Colldén | F Minor | 1 | 4A | 71 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XV. Blessed is He Who Comes in the Name of the Lord | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | F♯ Major | 0 | 2B | 77 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Maundy Thursday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Damien Guillon, Collegium Marianum | E Major | 0 | 12B | 123 BPM | ||
Chansons: De plus en plus se renouvelle | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | A♭ Major | 0 | 4B | 69 BPM | ||
Finale: In principio | Hildegard von Bingen, Sequentia | A Minor | 0 | 8A | 78 BPM | ||
Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
Fanfare des Médicis: Palle, palle (Instrumental) | Heinrich Isaac, Jordi Savall | F Major | 3 | 7B | 73 BPM | ||
Sergei Rachmaninoff: Bogoróditse Dévo | Sergei Rachmaninoff, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 135 BPM | ||
Nuper rosarum flores | Guillaume Dufay, Pomerium, Alexander Blachly | D Minor | 1 | 7A | 71 BPM |
Section: 0.6349906921386719
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