On 1986, the song "Serenade for Flute and Guitar: IV. Allegro giusto" was released by Domenico Cimarosa, James Galway, Kazuhito Yamashita. The duration of Serenade for Flute and Guitar: IV. Allegro giusto is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Serenade for Flute and Guitar: IV. Allegro giusto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in James Galway's "Italian Serenade" album is number 10 out of 13. In terms of popularity, Serenade for Flute and Guitar: IV. Allegro giusto is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Serenade for Flute and Guitar: IV. Allegro giusto by Domenico Cimarosa, James Galway, Kazuhito Yamashita to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
24 Préludes, Op. 28: No. 4 in E Minor | Frédéric Chopin, Martha Argerich | A Minor | 0 | 8A | 51 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
L'Olimpiade, Act II Scene 1: Aria. "In un cor, que fu piagato" | Domenico Cimarosa, Alex Banfield, Christophe Rousset, Les Talens Lyriques | C Major | 3 | 8B | 139 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM |
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