"Es ist ein Ros entsprungen" by Michael Praetorius, Choir of Clare College, Cambridge, Graham Ross, Lois Salem, Abigail Gostick, Stefan Kennedy, Jack Lawrence-Jones was released on October 28, 2013. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Veni Emmanuel: Music for Advent by Choir of Clare College, Cambridge, Graham Ross, Nicolas Haigh. The song's track number on the album is #8 out of 23 tracks. Es ist ein Ros entsprungen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Es ist ein Ros entsprungen by Michael Praetorius, Choir of Clare College, Cambridge, Graham Ross, Lois Salem, Abigail Gostick, Stefan Kennedy, Jack Lawrence-Jones has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Es ist ein Ros entsprungen being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave Maria, Op. 2, No. 2 | Edward Elgar, Jonathan Vaughn, Choir of St. John's College, Cambridge, Christopher Robinson | B♭ Major | 1 | 6B | 85 BPM | ||
Dances from Terpsichore: Passameze; Galliarde | Michael Praetorius, New London Consort, Philip Pickett | C Major | 2 | 8B | 115 BPM | ||
Terpsichore: No. 210, Volte in G Major | Michael Praetorius, Piffaro | G Minor | 1 | 6A | 98 BPM | ||
Fantasia | Luis de Narváez, Shirley Rumsey | C Minor | 0 | 5A | 95 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
Balletto fatto nella Bariera sopra la Sala di Bologna | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Minor | 0 | 12A | 77 BPM | ||
Maudit soyt | Heinrich Isaac, Capilla Flamenca, Patrick Denecker | E♭ Major | 1 | 5B | 50 BPM | ||
Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 63 BPM | ||
The English Dance Master, Vol. 1: The Beggar Boy | John Playford, Baltimore Consort | F Major | 0 | 7B | 78 BPM | ||
Now Is the gentle season | Thomas Morley, Joculatores Upsalienses | F Major | 0 | 7B | 75 BPM |
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