"III. Sie Werden Euch In Den Bann Tun BWV 44, Coro: Es Kömmt Aber Die Zeit" by Pieter Jan Leusink, Johann Sebastian Bach, Ruth Holton, Peter Frankenberg, Sytse Buwalda, Knut Schoch, Bas Ramselaar, Holland Boys Choir; Netherlands Bach Collegium, Eduard Wesley had its release date on December 20, 2006. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 14 out of 19 in Bach Cantatas (Complete) Part: 6 by Pieter Jan Leusink. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The popularity of III. Sie Werden Euch In Den Bann Tun BWV 44, Coro: Es Kömmt Aber Die Zeit is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of III. Sie Werden Euch In Den Bann Tun BWV 44, Coro: Es Kömmt Aber Die Zeit by Pieter Jan Leusink, Johann Sebastian Bach, Ruth Holton, Peter Frankenberg, Sytse Buwalda, Knut Schoch, Bas Ramselaar, Holland Boys Choir; Netherlands Bach Collegium, Eduard Wesley is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 57 BPM | ||
Der Tod Jesu, Pt. 1: Chorus: Du, dessen Augen flossen (Chorus) | Carl Heinrich Graun, Arcis-Vocalisten, L'arpa Festante, Thomas Gropper | B Minor | 1 | 10A | 164 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: III. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 1 | 3A | 110 BPM | ||
Ons is gheboren een kindekijn, SwWV 315: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | C Major | 0 | 8B | 92 BPM | ||
Sacrum, R.586 - rev. Franz Giegling: 2f Gloria: (Andante) Qui tollis | Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable | C Major | 1 | 8B | 106 BPM | ||
Gott Hilf Mir, BuxWV 34: Israel, hoffe auf den Herren | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Te Deum: XIII. In te Domine speravi | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
III. Ich Hatte Viel Bekümmernis BWV 21, Prima Parte, 2. Coro: Ich Hatte Viel Bekümmernis | Pieter Jan Leusink, Will Wroth, Johann Sebastian Bach, Ruth Holton, Bas Ramselaar, Knut Schoch, Hendrik Jan Houtsma, Susan Williams, Peter Frankenberg, Frank Aarnink, Sytse Buwalda | B Minor | 1 | 10A | 80 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
II. Gott Ist Unsre Zuversicht BWV 197, 2. Recitativo (Basso): Gott Ist Und Bleibt Der Beste Sorger | Holland Boys Choir, Netherlands Bach Collegium, Geerten Rooze, Frank Wakelkamp, Ruth Holton, Frank Aarnink, Knut Schoch, Frank Anepool, Johann Sebastian Bach, Vaughan Schlepp, Sytse Buwalda, Hendrik Jan Houtsma, Pieter Jan Leusink | E Major | 1 | 12B | 79 BPM |