George Gershwin, Arve Tellefsen, Kaare Ørnung's 'Porgy And Bess: It Ain T Necessarily So' came out on January 1, 2001. The duration of Porgy And Bess: It Ain T Necessarily So is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Porgy And Bess: It Ain T Necessarily So's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Serenade". In this album, this song's track order is #5. In terms of popularity, Porgy And Bess: It Ain T Necessarily So is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Porgy And Bess: It Ain T Necessarily So by George Gershwin, Arve Tellefsen, Kaare Ørnung having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scaramouche, Suite for 2 Pianos: 3. Brazileira (Mouvement de samba) | Darius Milhaud, Katia Labèque, Marielle Labèque | F Major | 2 | 7B | 99 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | ||
Jazz Suite No.1: 1. Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 0 | 5A | 171 BPM | ||
Gershwin: Gershwin's Songbook: No. 5, I Got Rhythm | George Gershwin, Martin James Bartlett | C Minor | 1 | 5A | 70 BPM | ||
Le Carnaval des Animaux, R. 125: 13. Le Cygne | Camille Saint-Saëns, Christopher van Kampen, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | G Major | 0 | 9B | 130 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | ||
Scaramouche Suite: 3. Brazileira | Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | F Major | 4 | 7B | 92 BPM | ||
The Firebird Suite *: Firebird: Lullaby | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A♭ Minor | 0 | 1A | 66 BPM | ||
3 Concert Études, S. 144: No. 3 in D-Flat Major, "un sospiro" | Franz Liszt, William Wolfram | D♭ Major | 1 | 3B | 69 BPM |
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