"Armonici entusiasmi di Davide, Op. 9, Magnificat: Magnificat: Et exultavit spiritus meus" by Giovanni Battista Bassani, Nova Ars Cantandi, Giovanni Acciai was released on May 5, 2015. With Armonici entusiasmi di Davide, Op. 9, Magnificat: Magnificat: Et exultavit spiritus meus being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 67 in Bassani: Armonici entusiasmi di Davide, Op. 9 by Giovanni Battista Bassani, Nova Ars Cantandi, Giovanni Acciai. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Armonici entusiasmi di Davide, Op. 9, Magnificat: Magnificat: Et exultavit spiritus meus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Armonici entusiasmi di Davide, Op. 9, Magnificat: Magnificat: Et exultavit spiritus meus by Giovanni Battista Bassani, Nova Ars Cantandi, Giovanni Acciai is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Céphale et Procris, Prologue: Chœur. Chantons, chantons sa valeur immortelle | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis, Chœur De Chambre De Namur | F Minor | 1 | 4A | 75 BPM | ||
La morte del cor penitente, Pt. 1: Sinfonia | Giovanni Legrenzi, Sonatori de la Gioiosa Marca | C Minor | 1 | 5A | 192 BPM | ||
Airs for the Winter: Golden Rod: I. Pastorale: Andante | James Oswald, The Broadside Band | A Major | 2 | 11B | 116 BPM | ||
Confitebor tibi Domine, ZWV 72: Redemptionem misit - After Psalm 110 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 0 | 1A | 108 BPM | ||
Befiehl dem Engel, daß er komm, BuxWV 10 | Dietrich Buxtehude, Collegium Ad Mosam, Huub Ehlen, Hannah Morrison, Hanna Kopra, Immo Schroder, Benoît Giaux | A Major | 1 | 11B | 88 BPM | ||
Sonata No. 5 in A Minor: I. Allegro | Giovanni Battista Bassani, Ensemble StilModerno | A Minor | 2 | 8A | 124 BPM | ||
Sonata No. 4 in D: II. Grave | Giovanni Battista Bassani, Ensemble StilModerno | F♯ Minor | 0 | 11A | 82 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 3: II. Andante, sempre Piano | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata III a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | A♭ Minor | 1 | 1A | 114 BPM | ||
Violin Sonata No. 2 in Dorian Mode, C. 139: IV. Adagio | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM |
Section: 0.5269553661346436
End: 0.5307018756866455