"4 pièces brèves pour piano: IV. Plainte" by Frank Martin, Daniel Spiegelberg was released on 1991. The duration of 4 pièces brèves pour piano: IV. Plainte is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. 4 pièces brèves pour piano: IV. Plainte's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 20 in Frank Martin: Complete Piano Solo Works by Frank Martin, Daniel Spiegelberg. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, 4 pièces brèves pour piano: IV. Plainte is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 4 pièces brèves pour piano: IV. Plainte by Frank Martin, Daniel Spiegelberg is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Weihnachtslieder, Op. 8: No. 3, The Three Kings (Arr. Atkins/Park) | Peter Cornelius, Owain Park, The Gesualdo Six | G Major | 1 | 9B | 95 BPM | ||
Stanford: The Blue Bird | Chamber Choir Ireland, Charles Villiers Stanford, Paul Hillier | F♯ Major | 0 | 2B | 70 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Proficiscere, anima Christiana | Edward Elgar, Gabrieli, Paul McCreesh, Andrew Foster-Williams | D Major | 0 | 10B | 85 BPM | ||
All-Night Vigil, Op. 37: IV. Gladsome Light | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Toby Vaughn Kidd | C Minor | 0 | 5A | 78 BPM | ||
Seven Poems of Robert Bridges, Op. 17: III. My spirit sang all day | Gerald Finzi, Finzi Singers, Paul Spicer | A Minor | 1 | 8A | 121 BPM | ||
In terra pax, Part III: Notre Père, qui es aux cieux (Our Father which art in heaven) | Frank Martin, Matthias Bamert, London Philharmonic Orchestra, Della Jones, Judith Howarth, Martyn Hill, Roderick Williams, Stephen Roberts, Brighton Festival Chorus | E♭ Minor | 1 | 2A | 88 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantemus Children Choir, Szabó Dénes, Váradi Antal | B Minor | 0 | 10A | 85 BPM | ||
Present Yourselves as a Living Sacrifice | James O'Donnell, Owain Park, The Gesualdo Six | F Major | 1 | 7B | 75 BPM | ||
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM |
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