- BPM
- 68
- Key
- D Major
- Camelot
- 10B
Requiem, Op. 48 (1893 Version): VII. In paradisum - Gabriel Fauré, Corydon Singers, English Chamber Orchestra, Matthew Best, John Scott Information
- Acousticness
- 98%
- Danceability
- 22%
- Energy
- 2%
- Instrumentalness
- 98%
- Liveness
- 9%
- Loudness
- 43%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -34.261 dB
Summary
"Requiem, Op. 48 (1893 Version): VII. In paradisum" by Gabriel Fauré, Corydon Singers, English Chamber Orchestra, Matthew Best, John Scott was released on September 1, 1989. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 14 in Fauré: Requiem; Cantique de Jean Racine; Messe basse; 2 Motets, Op. 65 by Gabriel Fauré, Corydon Singers, English Chamber Orchestra, Matthew Best. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Requiem, Op. 48 (1893 Version): VII. In paradisum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Requiem, Op. 48 (1893 Version): VII. In paradisum BPM
The tempo marking of Requiem, Op. 48 (1893 Version): VII. In paradisum by Gabriel Fauré, Corydon Singers, English Chamber Orchestra, Matthew Best, John Scott is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Requiem, Op. 48 (1893 Version): VII. In paradisum Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 1, Allegro moderato | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 107 BPM | |
 | Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | |
 | 16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | |
 | Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | |
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 | Jocelyn, Op. 100: Berceuse (Arr. for Piano 4 Hands) | Benjamin Godard, Zeynep Ucbasaran, Sergio Gallo | F Major | 0 | 7B | 134 BPM | |
 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Alice Sara Ott | D♭ Minor | 0 | 12A | 168 BPM | |
 | Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 75 BPM |
- ISRC
- GBAJY8929207
- Label
- L-M Records/RCA Records
Section: 0.7597999572753906
End: 0.7634444236755371