Kurt Weill, René Kollo, Milva, Rias-Sinfonietta Berlin, John Mauceri's 'Die Dreigroschenoper: Zuhälterballade' came out on January 1, 1988. With this song being about 5 minutes long, at 5:11, "Die Dreigroschenoper: Zuhälterballade" by Kurt Weill, René Kollo, Milva, Rias-Sinfonietta Berlin, John Mauceri is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Weill: The Threepenny Opera by Kurt Weill, René Kollo, Mario Adorf, Helga Dernesch, Ute Lemper, Milva, Wolfgang Reichmann, Susanne Tremper, Rolf Boysen, Rias-Sinfonietta Berlin, John Mauceri. The song's track number on the album is #15 out of 27 tracks. Based on our statistics, Die Dreigroschenoper: Zuhälterballade's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Die Dreigroschenoper: Zuhälterballade by Kurt Weill, René Kollo, Milva, Rias-Sinfonietta Berlin, John Mauceri has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Die Dreigroschenoper: Zuhälterballade being at 130 BPM, the half-time would be 65 BPM with a double-time of 260 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie romantique, "La nuit des tropiques" (a Night in the Tropics): II. Festa Criolla | Louis Moreau Gottschalk, Hot Springs Music Festival Symphony Orchestra, Richard Rosenberg | G Major | 1 | 9B | 124 BPM | ||
Addio del passato - Violetta | Giuseppe Verdi, Anna Netrebko | A Minor | 0 | 8A | 92 BPM | ||
Gia il sole dal gange | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 76 BPM | ||
A. Vucchella | Katia Ricciarelli | F Major | 2 | 7B | 96 BPM | ||
Ravel: Ma mère l'Oye, M. 60: V. Le jardin féerique | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | C Major | 0 | 8B | 89 BPM | ||
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM | ||
L’opéra de quat'sous, Act II: Tango-ballade / ballade du Mac pour orchestre | Kurt Weill, Le Balcon, Maxime Pascal | C Major | 1 | 8B | 135 BPM | ||
Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | ||
Carmen, WD 31 / Act I: Séguedille et Duo: "Près des remparts de Séville" | Georges Bizet, Elina Garanca, Roberto Alagna, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | F♯ Major | 1 | 2B | 127 BPM |
Section: 0.587899923324585
End: 0.593433141708374