6 Metamorphoses after Ovid, Op. 49: No. 4. Bacchus - Benjamin Britten, Allan Vogel Information

Benjamin Britten, Allan Vogel made "6 Metamorphoses after Ovid, Op. 49: No. 4. Bacchus" available on January 1, 2000. With 6 Metamorphoses after Ovid, Op. 49: No. 4. Bacchus being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Saint-Saens, C.: Oboe Sonata in D Major / Poulenc, F.: Oboe Sonata / Britten, B.: 6 Metamorphoses After Ovid / Schumann, R.: 3 Romanzen". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. 6 Metamorphoses after Ovid, Op. 49: No. 4. Bacchus is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

6 Metamorphoses after Ovid, Op. 49: No. 4. Bacchus BPM

With 6 Metamorphoses after Ovid, Op. 49: No. 4. Bacchus by Benjamin Britten, Allan Vogel having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

6 Metamorphoses after Ovid, Op. 49: No. 4. Bacchus Key

F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.