Mariinsky Orchestra's 'Act III: Fandango (Minkus)' came out on January 1, 2006. The duration of Act III: Fandango (Minkus) is about 3 minutes long, at 3:12. Based on our data, "Act III: Fandango (Minkus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Mariinsky Orchestra's "Minkus: Don Quixote, Victor Fedotov" album is number 14 out of 53. In terms of popularity, Act III: Fandango (Minkus) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Act III: Fandango (Minkus) by Mariinsky Orchestra to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coppélia : Act III, No.20 Féte de la cloche - Divertissement 8a) Male variation | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | B Major | 2 | 1B | 83 BPM | ||
Drigo: Pas-de-deux du Corsaire: No. 1, Introduction (Moderato assai - Andante) [for Adolphe Adam's ballet] | Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | A♭ Major | 1 | 4B | 131 BPM | ||
The Sleeping Beauty, Op.66, TH.13 / Act 3: 26. Pas de caractère (Red Riding Hood) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | G Minor | 1 | 6A | 97 BPM | ||
Espada Suite: II. Boléro | Jules Massenet, Royal Scottish National Orchestra, Jean-Luc Tingaud | E Minor | 2 | 9A | 133 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Moderato: Women's variation | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | C Major | 0 | 8B | 111 BPM | ||
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
Don Quixote: Act II: Gypsy Dance II | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | D♭ Major | 2 | 3B | 78 BPM | ||
Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Final: Allegretto vivo | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | B♭ Major | 1 | 6B | 145 BPM | ||
Aquarellen-Walzer, Op. 258 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Karl Albert Geyer | C Major | 2 | 8B | 86 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM |
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