Henryk Szeryng made "Wieniawski - Scherzo-Tarantelle, Op. 16" available on November 13, 2018. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Henryk Szeryng's "Henryk Szeryng In Recital" album is number 8 out of 8. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Wieniawski - Scherzo-Tarantelle, Op. 16 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Wieniawski - Scherzo-Tarantelle, Op. 16 by Henryk Szeryng to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con Espressione | Muzio Clementi, Balazs Szokolay | B♭ Major | 1 | 6B | 132 BPM | ||
Berceuse in B-Flat Major, Op. 38 | Camille Saint-Saëns, Fanny Clamagirand, Vanya Cohen | E Major | 1 | 12B | 71 BPM | ||
MOZART: SYMPHONY NO. 40 IN G MINOR, K.550: IV. FINALE (ALLEGRO ASSAI) | Jeffrey Tate | G Minor | 2 | 6A | 122 BPM | ||
Violin Concerto No. 3 in E Major, MS. 50: 2. Adagio (Cantabile spianato) | Niccolò Paganini, Henryk Szeryng, London Symphony Orchestra, Sir Alexander Gibson | A Major | 1 | 11B | 83 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
Concierto del Sur: II. Andante | Manuel Ponce, Jorge Federico Osorio, Alfonso Moreno, Henryk Szeryng, The State of Mexico Symphony Orchestra, Enrique Bátiz | G Major | 1 | 9B | 113 BPM | ||
Romantic Pieces, Op.75, for Violin and Piano - Allegro maestoso (Dvorák) | James Ehnes | D Minor | 1 | 7A | 101 BPM | ||
Viola Concerto in G Major, TWV 51:G9: II. Allegro | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 3 | 9B | 108 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM |
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