"Violin Sonata in D Major (original 1923 version): II. Lento, un po'a capriccio" by Franco Alfano, Elmira Darvarova, Scott Dunn was released on August 2, 2011. Since Violin Sonata in D Major (original 1923 version): II. Lento, un po'a capriccio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 8 in Alfano: Violin Sonata - Piano Quintet by Franco Alfano, Elmira Darvarova. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Violin Sonata in D Major (original 1923 version): II. Lento, un po'a capriccio is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Violin Sonata in D Major (original 1923 version): II. Lento, un po'a capriccio by Franco Alfano, Elmira Darvarova, Scott Dunn is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony Fantastique in C Major, Op 14: II. Un Bal - Allegro non troppo | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | D Major | 4 | 10B | 125 BPM | ||
6 Pastoral Dances, Op. 40: No. 2. Waltz | Arnold Rosner, London Philharmonic Orchestra, David Amos | A Minor | 0 | 8A | 178 BPM | ||
Háry János Suite (Version for Orchestra): V. Közjáték | Zoltán Kodály, Buffalo Philharmonic Orchestra, Joann Falletta | D Minor | 1 | 7A | 113 BPM | ||
Concerto Grosso: I. Allegro-Sonata | Maya Badian, Cristian Balea, Ilie Dornescu, Romanian National Orchestra, Ludovic Bacs | F Minor | 1 | 4A | 113 BPM | ||
Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Aragonaise | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | D Minor | 1 | 7A | 114 BPM | ||
La doña del hotel | Gabriel Andrés Gallegos, Budapest Art Orchestra | E Major | 0 | 12B | 84 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM | ||
Cyrano de Bergerac, Act III: Je lisais, je relisais (Live) | Franco Alfano, Manuela Uhl, Paul McNamara, Kiel Philharmonic Orchestra, Markus L. Frank | G Minor | 1 | 6A | 92 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): I. Az intezett veszedelem (Threatening Danger) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 115 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 16, Allegretto | Sergei Rachmaninoff, Dubravka Tomšič, Ljubljana Symphony Orchestra, Anton Nanut | A Major | 3 | 11B | 106 BPM |
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