Patrick Thomas, Sydney Symphony Orchestra made "The Good-Humoured Ladies - Arr. Vincenzo Tommasini: 5. Presto" available on 2009. The duration of The Good-Humoured Ladies - Arr. Vincenzo Tommasini: 5. Presto is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. The Good-Humoured Ladies - Arr. Vincenzo Tommasini: 5. Presto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "My First Orchestra Album" album is number 20 out of 22. Based on our statistics, The Good-Humoured Ladies - Arr. Vincenzo Tommasini: 5. Presto's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of The Good-Humoured Ladies - Arr. Vincenzo Tommasini: 5. Presto by Patrick Thomas, Sydney Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slavonic Dances, Series I., Op. 46, B. 83: VIII. in G minor. Presto | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Etudes: V. Port de bras et pas de badin | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Minor | 3 | 8A | 100 BPM | ||
Bright day | Alejandro Llovet Abascal | C Major | 1 | 8B | 120 BPM | ||
Studies for the Piano, Op. 65: No. 4 Allegretto | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM | ||
Symphony No. 5 in F Major, Op. 76, B. 54: III. Allegro scherzando | Antonín Dvořák, Karlovy Vary Symphony Orchestra, Radomil Eliška | B♭ Major | 1 | 6B | 123 BPM | ||
Rigoletto, Act II: "Caro nome" (Arr. E. Kunzel & C. Beck) | Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 2 | 8B | 118 BPM | ||
Le lac des cygnes, Op. 20 ; TH 12, Act. II, No. 10: Scène, Moderato | Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Anatole Fistoulari | B Minor | 5 | 10A | 94 BPM | ||
弦楽のためのアダージョ (バーバー)[式後の音楽] | ソフィア交響楽団 | B♭ Minor | 1 | 3A | 78 BPM | ||
Symphony Fantastique Op.14: Songe d'Une Nuit du Sabbat (Larghetto-Allegro) | Alberto Lizzio, South German Philharmonic Orchestra | G Minor | 1 | 6A | 109 BPM |
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