George Gershwin, Cynthia Haymon, Harolyn Blackwell, Gregg Baker, Glyndebourne Chorus, London Philharmonic Orchestra, Sir Simon Rattle, Glyndebourne Festival Chorus's 'Gershwin: Porgy and Bess, Act 2, Scene 4: "A red-headed woman" (Crown, Clara, Bess, Chorus)' came out on 1989. The duration of Gershwin: Porgy and Bess, Act 2, Scene 4: "A red-headed woman" (Crown, Clara, Bess, Chorus) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Gershwin: Porgy and Bess, Act 2, Scene 4: "A red-headed woman" (Crown, Clara, Bess, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Gershwin, Sir Simon Rattle, London Philharmonic Orchestra's "Gershwin: Porgy & Bess" album is number 5 out of 53. On top of that, United Kingdom appears to be the country where this track was created. Gershwin: Porgy and Bess, Act 2, Scene 4: "A red-headed woman" (Crown, Clara, Bess, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gershwin: Porgy and Bess, Act 2, Scene 4: "A red-headed woman" (Crown, Clara, Bess, Chorus) by George Gershwin, Cynthia Haymon, Harolyn Blackwell, Gregg Baker, Glyndebourne Chorus, London Philharmonic Orchestra, Sir Simon Rattle, Glyndebourne Festival Chorus to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Syrinx, L. 129 | Claude Debussy, James Galway, Marisa Robles, Graham Oppenheimer, Chamber Orchestra of Europe | C Major | 1 | 8B | 79 BPM | ||
Prelude to the Afternoon of a Faun, L. 86 - Remastered | Claude Debussy, Daniel Barenboim | E Major | 1 | 12B | 72 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 1. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Major | 1 | 7B | 113 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Clarinet Concerto No. 1 in F Minor, Op. 73: III. Rondo: Allegretto | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | F Major | 1 | 7B | 147 BPM | ||
Solitude (Arr. for Strings) | Duke Ellington, Neeme Järvi, Detroit Symphony Orchestra | E♭ Major | 0 | 5B | 94 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM |
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