"Shostakovich: String Quartet No. 8 in C Minor, Op. 110: II. Allegro molto" by Dmitri Shostakovich, Borodin Quartet was released on January 1, 1993. The duration of Shostakovich: String Quartet No. 8 in C Minor, Op. 110: II. Allegro molto is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Shostakovich: String Quartet No. 8 in C Minor, Op. 110: II. Allegro molto's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Shostakovich: String Quartets Nos. 2, 3, 7, 8 & 12". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Shostakovich: String Quartet No. 8 in C Minor, Op. 110: II. Allegro molto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shostakovich: String Quartet No. 8 in C Minor, Op. 110: II. Allegro molto by Dmitri Shostakovich, Borodin Quartet having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): II. Allegro molto | Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki | G Major | 8 | 9B | 116 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 87 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Peer Gynt Suite No.1 op. 46 Death of Aase (Andante doloroso) | Academy of St. Martin in the Fields | G Major | 0 | 9B | 109 BPM | ||
Carmen Fantasy, Op. 25: IV. Allegro moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | A Major | 1 | 11B | 103 BPM |
Section: 0.7348225116729736
End: 0.7400679588317871