Raniero de' Calzabigi, Christoph Willibald Gluck, Berliner Symphoniker/Horst Stein, Horst Stein, Berliner Symphoniker made "Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Furientanz" available on April 12, 2013. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Christoph Willibald Gluck, Raniero de' Calzabigi, Hermann Prey/Pilar Lorengar/Erika Köth's "Gluck: Orpheus und Eurydike" album is number 9 out of 18. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Furientanz's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Furientanz by Raniero de' Calzabigi, Christoph Willibald Gluck, Berliner Symphoniker/Horst Stein, Horst Stein, Berliner Symphoniker to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto grosso No. 6 in G Minor, Op. 6/6, HWV 324: I. Larghetto e affettuoso | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 169 BPM | ||
Britten: Folksong Arrangements, Book 1 "British Isles": No. 1, The Salley Gardens | Benjamin Britten, Robert Tear, Philip Ledger | D♭ Major | 1 | 3B | 112 BPM | ||
Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Ach, ich habe sie verloren | Raniero de' Calzabigi, Christoph Willibald Gluck, Hermann Prey, Berliner Symphoniker, Horst Stein | D Major | 3 | 10B | 60 BPM | ||
Overture Oberon, J.306: Overture - 2024 Remaster | Carl Maria von Weber, London Symphony Orchestra, Josef Krips | D Major | 6 | 10B | 148 BPM | ||
Verdi: Otello: Atto Secondo: Dove guardi splendono | Giuseppe Verdi, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 82 BPM | ||
Requiem in E-Flat Minor: IX. Benedictus | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko | E♭ Major | 0 | 5B | 167 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act 3: Recitativo. "E pur così in un giorno" - Aria. "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Kathleen Battle, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 0 | 6B | 134 BPM | ||
Messa di Gloria: III. Laudamus | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | D Major | 1 | 10B | 89 BPM | ||
Mysliveček: L'Olimpiade: "Gemo in un punto e fremo" (Licida) | Josef Mysliveček, Philippe Jaroussky, Vaclav Luks | G Major | 2 | 9B | 76 BPM | ||
Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | A♭ Major | 3 | 4B | 69 BPM |
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