Raniero de' Calzabigi, Christoph Willibald Gluck, Hermann Prey, Berliner Symphoniker, Horst Stein's 'Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Ach, ich habe sie verloren' came out on April 12, 2013. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Christoph Willibald Gluck, Raniero de' Calzabigi, Hermann Prey/Pilar Lorengar/Erika Köth's "Gluck: Orpheus und Eurydike" album is number 16 out of 18. On top of that, Germany appears to be the country where this track was created. Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Ach, ich habe sie verloren is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Ach, ich habe sie verloren by Raniero de' Calzabigi, Christoph Willibald Gluck, Hermann Prey, Berliner Symphoniker, Horst Stein to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerti Grossi, Op. 7: No. 6 in B-Flat Major, Op 7: I. Allegro Moderato - Studio Recording | Francesco Geminiani, I Musici | B♭ Major | 2 | 6B | 65 BPM | ||
Tirsi non giova il pianto, Archivio di Montecassino, Fondo musicale, 2a - 3/1: I. andante | Giuseppe De Ferraris, Alessandro Minci, Tania Di Giorgio | B♭ Major | 1 | 6B | 78 BPM | ||
Die Zauberflöte, K. 620: Der Hölle Rache kocht | Linda Campanella | F Major | 2 | 7B | 126 BPM | ||
Mass No. 2 in G Major, D. 167: Gloria: Domine Deus | Franz Schubert, Claudia Reinhard, Rüdiger Ballhorn, Markus Flaig, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Rossini: Ricciardo e Zoraide, Act 1: "Qual sarà mai la gioia" (Ricciardo, Ernesto) | Gioachino Rossini, Michael Spyres, Lawrence Brownlee, I Virtuosi Italiani, Corrado Rovaris, Xabier Anduaga | G Major | 2 | 9B | 132 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Des noirs pressentiments | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Dietrich Fischer-Dieskau | A Minor | 3 | 8A | 110 BPM | ||
Tannhäuser, Act 2, Scene 4: Freudig begrussen wir die edle Hall | Richard Wagner, Klaus König/Lucia Popp/Bernd Weikl/Waltraud Meier/Kurt Moll/Siegfried Jerusalem/Donald Litaker/Rainer Scholze/Gabriele Sima/Vier Tölzer Knaben/Chor des Bayerischen Rundfunks/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink/Walto, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | B Major | 2 | 1B | 65 BPM | ||
Stabat Mater, P. 77: I. Duo "Stabat Mater dolorosa" | Giovanni Battista Pergolesi, Bernarda Fink, Anna Prohaska, Akademie für Alte Musik Berlin | D Major | 2 | 10B | 97 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 86 BPM | ||
Beethoven: Fidelio, Op. 72: "Gott! Welch Dunkel hier!" - "In des Lebens" (Florestan) | Ludwig van Beethoven, Michael Spyres, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 102 BPM |
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