"Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 6: No. 59, Choral. "Ich steh an deiner Krippen hier"" by Johann Sebastian Bach, Sumi Jo, Cappella Coloniensis, VokalEnsemble Köln, Michael Schneider was released on October 13, 2000. The duration of Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 6: No. 59, Choral. "Ich steh an deiner Krippen hier" is about 3 minutes long, at 3:04. Based on our data, "Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 6: No. 59, Choral. "Ich steh an deiner Krippen hier"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 31 in the song's album "Sumi Jo - The Christmas Album". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. Based on our statistics, Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 6: No. 59, Choral. "Ich steh an deiner Krippen hier"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 6: No. 59, Choral. "Ich steh an deiner Krippen hier" by Johann Sebastian Bach, Sumi Jo, Cappella Coloniensis, VokalEnsemble Köln, Michael Schneider having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Symphony No.4 in D Minor, Op.12 No.4, G.506: 2. Andantino con moto I | Luigi Boccherini, Per Egland, Christian Lindberg, MIN Ensemble | C Minor | 1 | 5A | 97 BPM | ||
Haydn, Michael / Arr Stoll : Polonaise in C major | Michael Haydn, Jörg Baumann | C Major | 0 | 8B | 107 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Partita No. 4 in D Major, BWV 828: II. Allemande | Johann Sebastian Bach, KaJeng Wong | D Major | 0 | 10B | 62 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM |
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