"Prélude À L'après-Midi D'un Faune (Arr. For Solo Piano by E. Robert Schmitz) - Duo-Art 6532" by Claude Debussy, Peter Phillips, E. Robert Schmitz was released on June 26, 2023. Since Prélude À L'après-Midi D'un Faune (Arr. For Solo Piano by E. Robert Schmitz) - Duo-Art 6532 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 8 in Bolero. Piano Evocations from the Golden Age by Peter Phillips, Anton Rubinstein, Fritz Kreisler, Anton Arensky, Maurice Ravel, Modest Mussorgsky, Richard Strauss. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Prélude À L'après-Midi D'un Faune (Arr. For Solo Piano by E. Robert Schmitz) - Duo-Art 6532 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prélude À L'après-Midi D'un Faune (Arr. For Solo Piano by E. Robert Schmitz) - Duo-Art 6532 by Claude Debussy, Peter Phillips, E. Robert Schmitz is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Piano and Wind Instruments: Allegro from Mov. I (Arr. Solo Piano by Stravinsky) - Duo-Art 528-4 | Igor Stravinsky, Peter Phillips | A Minor | 5 | 8A | 112 BPM | ||
Lieder ohne Worte, Op. 102, No. 1 in E Minor. Andante un poco agitato, MWV U 162 | Felix Mendelssohn, Igor Levit | A♭ Major | 0 | 4B | 67 BPM | ||
VI. June. Barcarolle | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | G Minor | 0 | 6A | 69 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
7 Canciones populares españolas: No. 5, Nana (Arr. Halffter) | Manuel de Falla, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Estampes: No. 1. Pagodes (arr. A. Caplet): Pagodes | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 1 | 12A | 95 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Bolero (Arr. Solo Piano by Ganz) - Duo-Art 74728 | Maurice Ravel, Peter Phillips, Rudolph Ganz | C Major | 2 | 8B | 76 BPM | ||
Chopin: Nocturne No. 21 in C Minor, Op. Posth. | Frédéric Chopin, Fazıl Say | F Minor | 0 | 4A | 70 BPM | ||
Slow-Fox | Paul Burkhard, Gottlieb Wallisch | D♭ Major | 0 | 3B | 59 BPM |
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