"Figures in an Urban Landscape: No. 1, The Beach" by George Palmer, Judith Wright, Barry Ryan, Jeanell Carrigan was released on July 12, 2019. With Figures in an Urban Landscape: No. 1, The Beach being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Barry Ryan, Jeanell Carrigan's "Letters from a Black Snake" album is number 8 out of 19. On top of that, Australia appears to be the country where this track was created. Figures in an Urban Landscape: No. 1, The Beach is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Figures in an Urban Landscape: No. 1, The Beach by George Palmer, Judith Wright, Barry Ryan, Jeanell Carrigan to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Collect Lilac Flowers | Winfred Jeremiah | E♭ Major | 2 | 5B | 66 BPM | ||
Betty's Ballad | Ingo Höricht, Katerina Chatzinikolau, Hans Jürgen Osmers | B♭ Major | 6 | 6B | 105 BPM | ||
Trio Sonata in G Minor, HWV 393 I. Andante | George Frideric Handel, Dave Loew | D Minor | 3 | 7A | 90 BPM | ||
Prélude à l’après-midi d’un faune, CD 87 (Arr. for Octet by G. Steele Johnson) | Claude Debussy, Graeme Steele Johnson, Ji Weon Ryu, Han Lash, Bora Kim, Rachel Loseke, Matthew Cohen, Yun Han, Kohei Yamaguchi | F Minor | 2 | 4A | 140 BPM | ||
Suite del ángel: IV. Resurrección del ángel (Arr. for Violin & String Orchestra by Ken Selden) | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
2つの小品 Religioso | G. ゴルターマン, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) | B♭ Minor | 1 | 3A | 79 BPM | ||
淡水暮色 - 小提琴曲 | 吕思清, 盛原 | D Major | 1 | 10B | 101 BPM | ||
7 Canciones populares Españolas (Excerpts Arr. for Oboe & Harp): No. 5, Nana | Manuel de Falla, Alex Klein, Rita Costanzi | A Minor | 1 | 8A | 111 BPM | ||
Rough Tango | Quartetto Fancelli | A Minor | 1 | 8A | 82 BPM | ||
Beautiful Days | 二人旅, Hiroki Kashiwagi, Kenichi Mitsuda | C Major | 1 | 8B | 76 BPM |
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