"Quatuor pour la fin du temps: Louange à l'éternite de jésus" by Olivier Messiaen, Quatuor Olivier Messiaen, Alain Moglia, Michel Arrignon, René Benedetti, Jean-Claude Henriot had its release date on 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Olivier Messiaen, Quatuor Olivier Messiaen, Alain Moglia, Michel Arrignon's "Messiaen : Quatuor pour la fin du temps" album is number 5 out of 8. On top of that, France appears to be the country where this track was created. Quatuor pour la fin du temps: Louange à l'éternite de jésus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quatuor pour la fin du temps: Louange à l'éternite de jésus by Olivier Messiaen, Quatuor Olivier Messiaen, Alain Moglia, Michel Arrignon, René Benedetti, Jean-Claude Henriot to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM | ||
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Signum Quartet | E♭ Major | 0 | 5B | 72 BPM | ||
Sonata for Clarinet and Piano: 2. Romanza | Francis Poulenc, Karl Leister, James Levine | G Minor | 0 | 6A | 72 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major (Moderato) | Sergei Rachmaninoff, Vladimir Ashkenazy | G Major | 0 | 9B | 70 BPM | ||
Vingt Regards sur l'Enfant-Jésus: III. L'Échange | Olivier Messiaen, Peter Serkin | F♯ Major | 3 | 2B | 115 BPM | ||
Répons: Section 1 | Pierre Boulez, Andrew Gerzso, Ensemble Intercontemporain | A♭ Minor | 3 | 1A | 82 BPM | ||
Leocadia, FP 106: Very Calm | Francis Poulenc, Ronald Van Spaendonck, Alexandre Tharaud, Danielle Darrieux, Laurent Lefèvre, Stéphane Logerot, Thibault Vieux | D Major | 1 | 10B | 174 BPM | ||
Suite de danzas criollas, Op. 15 (2nd version): I. Adagietto pianissimo | Alberto Ginastera, Fernando Viani | C Major | 0 | 8B | 129 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: III. Lento | Ottorino Respighi, Konstantin Scherbakov | F♯ Minor | 0 | 11A | 66 BPM | ||
Must the Devil Have All the Good Tunes?: II. Much Slower; Gently, Relaxed | John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 1 | 7B | 60 BPM |