"The Lamentations" by Edward Bairstow, York Minster Choir, John Scott Whiteley, Philip Moore had its release date on September 18, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "The Choral Music of Sir Edward Bairstow". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. The Lamentations is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Lamentations by Edward Bairstow, York Minster Choir, John Scott Whiteley, Philip Moore having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tantum Ergo | Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Come, Risen Lord | William Ferris Chorale | B♭ Major | 2 | 6B | 65 BPM | ||
Drop, Drop Slow Tears | Chorus Angelicus | G Major | 0 | 9B | 80 BPM | ||
Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | ||
Victory "The Strife Is O'er, the Battle Done" (After Palestrina's Magnificat tertii toni) | William Henry Monk, Truro Cathedral Choir, Christopher Gray, Andrew Nethsingha | D Major | 2 | 10B | 93 BPM | ||
A Farewell - SATB | Elaine Hagenberg, The Oxford Choir | E♭ Major | 2 | 5B | 101 BPM | ||
Psalm 16 "Preserve Me, O God" | Martin How, Exeter Cathedral Choir, Paul Morgan, Andrew Millington | A♭ Major | 1 | 4B | 77 BPM | ||
Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
Hereford "O Thou Who Camest from Above" | Samuel Sebastian Wesley, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley | E Major | 2 | 12B | 81 BPM | ||
Mass for unaccompanied double choir: II. Gloria | Frank Martin, RIAS Kammerchor, Daniel Reuss | A Minor | 1 | 8A | 137 BPM |