The Lamentations
Edward Bairstow, York Minster Choir, John Scott Whiteley, Philip Moore
The Choral Music of Sir Edward Bairstow
7:32 September 18, 1991
BPM
76
Key
C Minor
Camelot
5A

Embed

Share Link

The Lamentations - Edward Bairstow, York Minster Choir, John Scott Whiteley, Philip Moore Information

Acousticness
97%
Danceability
10%
Energy
2%
Instrumentalness
1%
Liveness
7%
Loudness
45%
Speechiness
6%
Valence
4%
Popularity
Loudness
-32.932 dB

Summary

"The Lamentations" by Edward Bairstow, York Minster Choir, John Scott Whiteley, Philip Moore had its release date on September 18, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "The Choral Music of Sir Edward Bairstow". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. The Lamentations is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Lamentations BPM

With The Lamentations by Edward Bairstow, York Minster Choir, John Scott Whiteley, Philip Moore having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.

The Lamentations Key

C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Tantum Ergo by Westminster Williamson Voices, James JordanTantum ErgoWestminster Williamson Voices, James JordanG Major29B77 BPM
Come, Risen Lord by William Ferris ChoraleCome, Risen LordWilliam Ferris ChoraleB♭ Major26B65 BPM
Drop, Drop Slow Tears by Chorus AngelicusDrop, Drop Slow TearsChorus AngelicusG Major09B80 BPM
Brewer: Magnificat in D by Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn CathedralBrewer: Magnificat in DBlackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn CathedralD Major110B92 BPM
Victory Victory "The Strife Is O'er, the Battle Done" (After Palestrina's Magnificat tertii toni)William Henry Monk, Truro Cathedral Choir, Christopher Gray, Andrew NethsinghaD Major210B93 BPM
A Farewell - SATB by Elaine Hagenberg, The Oxford ChoirA Farewell - SATBElaine Hagenberg, The Oxford ChoirE♭ Major25B101 BPM
Psalm 16 Psalm 16 "Preserve Me, O God"Martin How, Exeter Cathedral Choir, Paul Morgan, Andrew MillingtonA♭ Major14B77 BPM
Requiem: Psalm 121 by Herbert Howells, Conspirare, Craig Hella JohnsonRequiem: Psalm 121Herbert Howells, Conspirare, Craig Hella JohnsonB Minor010A65 BPM
Hereford Hereford "O Thou Who Camest from Above"Samuel Sebastian Wesley, Choir of Keble College, Oxford, Mark Laflin, Gavin PlumleyE Major212B81 BPM
Mass for unaccompanied double choir: II. Gloria by Frank Martin, RIAS Kammerchor, Daniel ReussMass for unaccompanied double choir: II. GloriaFrank Martin, RIAS Kammerchor, Daniel ReussA Minor18A137 BPM
ISRC
GBXUX0836502
Label
L-M Records/RCA Records