"Rape of Lucretia, Act I, Scene II: The oatmeal slippers of sleep" by Benjamin Britten, Aldeburgh Festival Ensemble/Oliver Knussen/Susan Gritton/Ian Bostridge, Oliver Knussen, Aldeburgh Festival Ensemble was released on December 28, 2012. With Rape of Lucretia, Act I, Scene II: The oatmeal slippers of sleep being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 28 in Britten: The Rape of Lucretia by Benjamin Britten, Aldeburgh Festival Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Rape of Lucretia, Act I, Scene II: The oatmeal slippers of sleep is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rape of Lucretia, Act I, Scene II: The oatmeal slippers of sleep by Benjamin Britten, Aldeburgh Festival Ensemble/Oliver Knussen/Susan Gritton/Ian Bostridge, Oliver Knussen, Aldeburgh Festival Ensemble is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Pomp and Circumstance," Op.39: March, No.2 In A Minor | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 2 | 10A | 132 BPM | ||
The Firebird - Disparition du Palais et des Sortileges de Kastchei, Animation de Chevaliers Petrifies, Allegresse Generale | Igor Stravinsky, BBC National Orchestra Of Wales, Thierry Fischer | B Major | 2 | 1B | 90 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto - Un pochettino largamente | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Ma mère l'oye, ballet, M. 62: 3. Les Entretiens de la Belle et de la Bête.Mouvement de Valse modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | G Minor | 0 | 6A | 89 BPM | ||
Elgar: Sea Pictures, Op. 37: V. The Swimmer, "With short, sharp violent lights" (Allegro molto) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 102 BPM | ||
Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Gianandrea Noseda, London Symphony Orchestra | F Major | 3 | 7B | 76 BPM | ||
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM |
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