On February 13, 2015, the song "Sonata I in D Minor: Sonata I in D Minor: III. Largo" was released by Andreas Heinrich Schultzen, Ensemble La Ninfea, Barbara Heindlmeier. The duration of Sonata I in D Minor: Sonata I in D Minor: III. Largo is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Sonata I in D Minor: Sonata I in D Minor: III. Largo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Schultzen: Recorder Sonatas". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Germany. The popularity of Sonata I in D Minor: Sonata I in D Minor: III. Largo is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Sonata I in D Minor: Sonata I in D Minor: III. Largo by Andreas Heinrich Schultzen, Ensemble La Ninfea, Barbara Heindlmeier having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Major, Op. 2, No. 1: I. Prelude | Jacques Hotteterre, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | C Major | 1 | 8B | 84 BPM | ||
Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Preludio | Nicola Matteis, Ophélie Gaillard, Pulcinella Orchestra | A♭ Minor | 0 | 1A | 119 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Viola da gamba Sonata in D Major, A2:50: III. Allegro | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella | D♭ Major | 3 | 3B | 97 BPM | ||
Airs for the Spring: Lady's Mantle: III. Aria: Vivace | James Oswald, The Broadside Band | A Major | 2 | 11B | 103 BPM | ||
Concerto No. 5 in G Minor, Op. 2 No. 5: III. Grave | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Alberto Rasi | A Major | 1 | 11B | 130 BPM | ||
Sonata for two Cellos in E Minor: I. Largo | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Simone Vallerotonda, Andrea Buccarella | G Major | 0 | 9B | 123 BPM | ||
Sonata VI in D Minor: Sonata VI in D Minor: IV. Allegro | Andreas Heinrich Schultzen, Ensemble La Ninfea, Barbara Heindlmeier | E Major | 1 | 12B | 172 BPM | ||
I - Grave from: Concerto No. 1 in f minor | Accademia Bizantina | E Minor | 1 | 9A | 108 BPM | ||
Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM |
Section: 0.5801329612731934
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