Felix Gass, Klemens Schnorr, Raimund Hug's 'Drei Arien für Orgel: Aria in G Major' came out on June 5, 2015. With Drei Arien für Orgel: Aria in G Major being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Raimund Hug, cantus et musica Freiburg's "Maichelbeck, Gass, Johann, Reindl, Gerbert & Müller: Freiburger Kirchenmusik Des 18. Jahrhunderts" album is number 11 out of 29. Drei Arien für Orgel: Aria in G Major is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Drei Arien für Orgel: Aria in G Major by Felix Gass, Klemens Schnorr, Raimund Hug to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude in D Minor, WAB 130 | Anton Bruckner, Gerd Schaller | D Minor | 0 | 7A | 100 BPM | ||
Messa della Domenica: Kyrie della Domenica | Girolamo Frescobaldi, Nova Schola Gregoriana, Sergio Vartolo, Alberto Turco | D Minor | 0 | 7A | 69 BPM | ||
Görlitzer Tabulaturbuch: Gelobet seist du, Jesu Christ, SSWV 442a | Samuel Scheidt, Christoph Lehmann | A Major | 0 | 11B | 67 BPM | ||
Tie lapsosen kulkee nyt korvessa maan | Vesa Kajava | E Minor | 1 | 9A | 140 BPM | ||
Misa en Sol Kýrie | Manuel de Zumaya, Horacio Franco, Cappella Cervantina | F♯ Major | 3 | 2B | 59 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Eight Short Preludes and Fugues: III. Prelude and Fugue in E Minor, BWV 555 | Jurgis Grinkiavichius | E Minor | 0 | 9A | 137 BPM | ||
Acis and Galatea, HWV 49: Sinfonia | George Frideric Handel, London Early Opera, Bridget Cunningham | A Major | 2 | 11B | 112 BPM | ||
Keyboard Concerto No. 2 in G Major: II. Grave | Johann Adolf Hasse, Janos Sebestyen | E Minor | 1 | 9A | 73 BPM | ||
Oster Oratorium, BWV 249: III. Duetto e Coro: "Kommt, eilet und laufet" | Johann Sebastian Bach, Jan Kobow, Gotthold Schwarz, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | D♭ Major | 2 | 3B | 184 BPM |
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