"O Hush Thee My Babie" by Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach was released on March 6, 2020. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "The Long Day Closes: Sullivan Part Songs". In this album, this song's track order is #15. Based on our statistics, O Hush Thee My Babie's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O Hush Thee My Babie by Arthur Sullivan, Kantos Chamber Choir, Ellie Slorach having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Will There Really Be a Morning? | Ricky Ian Gordon, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | B♭ Major | 2 | 6B | 166 BPM | ||
The Red Mill: Moonbeams | Victor Herbert, Virginia Croskery, Slovak Radio Symphony Orchestra, Keith Brion | F Minor | 1 | 4A | 175 BPM | ||
Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben" | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 131 BPM | ||
HMS Pinafore: We Sail the Ocean Blue | Alfie Boe, New D'Oyly Carte Opera, Simon Wilding, Stephen Davis | C Major | 3 | 8B | 104 BPM | ||
Orphée aux enfers, ACT 2, Quatrième tableau: les Enfers: Ne regarde pas en arrière! (finale) (L'Opinion Publique/Jupiter/Les Diuex/Orphee/Eurydice) | Jacques Offenbach, Laurent Naouri/Jean-Paul Fouchécourt/Yann Beuron/Eva Podles/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A Major | 3 | 11B | 108 BPM | ||
H.M.S. Pinafore, Act I: My Gallant Crew | Gilbert & Sullivan Society of Houston | A Major | 4 | 11B | 101 BPM | ||
Marcha Comunista Do Poker Carioca | Duarte WILL | A Minor | 5 | 8A | 129 BPM | ||
Die Fledermaus / Act 2: "Mein Herr Marquis" | Johann Strauss II, Lucia Popp, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | G Major | 2 | 9B | 133 BPM | ||
Trial by Jury: I Love Him | Gilbert & Sullivan Society of Houston | G Major | 3 | 9B | 75 BPM | ||
Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM |
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