Modest Mussorgsky, Алексей Гелева, Alexander Melik-Pashayev, Оркестр Большого театра made "Борис Годунов, действие I картина 2: Песня Варлаама "Как во городе было во Казани"" available on September 23, 2016. The duration of Борис Годунов, действие I картина 2: Песня Варлаама "Как во городе было во Казани" is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Борис Годунов, действие I картина 2: Песня Варлаама "Как во городе было во Казани"'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in Большой театр. Лучшее из архивов "Мелодии", so we believe that "Борис Годунов, действие I картина 2: Песня Варлаама "Как во городе было во Казани"" is a single. The popularity of Борис Годунов, действие I картина 2: Песня Варлаама "Как во городе было во Казани" is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Борис Годунов, действие I картина 2: Песня Варлаама "Как во городе было во Казани" by Modest Mussorgsky, Алексей Гелева, Alexander Melik-Pashayev, Оркестр Большого театра is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mussorgsky: Pictures at an Exhibition: No. 14, The Hut on Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Sir Simon Rattle, Berliner Philharmoniker | G Major | 1 | 9B | 87 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
String Quintet In C, D. 956: 3. Scherzo (Presto) - Trio (Andante sostenuto) | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | C Major | 2 | 8B | 107 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 2. H.D.S.-P. (Allegro) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 1 | 6A | 113 BPM | ||
Capriccio espagnol, Op. 34: III. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | B♭ Major | 2 | 6B | 133 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: The Augurs of Spring: Dances of the Young Girls | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 3 | 1A | 104 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
La Mer, L.109: 3. Dialogue Of The Wind And The Sea | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 2 | 3B | 83 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Berceuse | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A♭ Minor | 0 | 1A | 135 BPM |
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