Musica Amphion, Arcangelo Corelli, Pieter-Jan Belder's '12 Concerti Grossi Opus VI, Parte Seconda Per Camera, Sinfonia (Woo 1) (To The Oratorio Santa Beatrice D'Este): Vivace' came out on December 20, 2006. The duration of 12 Concerti Grossi Opus VI, Parte Seconda Per Camera, Sinfonia (Woo 1) (To The Oratorio Santa Beatrice D'Este): Vivace is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. 12 Concerti Grossi Opus VI, Parte Seconda Per Camera, Sinfonia (Woo 1) (To The Oratorio Santa Beatrice D'Este): Vivace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 34 out of 39 in Corelli, Complete Works Part: 10 by Musica Amphion. 12 Concerti Grossi Opus VI, Parte Seconda Per Camera, Sinfonia (Woo 1) (To The Oratorio Santa Beatrice D'Este): Vivace is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 12 Concerti Grossi Opus VI, Parte Seconda Per Camera, Sinfonia (Woo 1) (To The Oratorio Santa Beatrice D'Este): Vivace by Musica Amphion, Arcangelo Corelli, Pieter-Jan Belder is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in G Minor: II. Largo | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | B♭ Major | 1 | 6B | 137 BPM | ||
Ouverture in E Minor, TWV 55:e1: II. Rejouissance | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | E♭ Minor | 1 | 2A | 136 BPM | ||
Concerto No. 4 in G Major, BWV 1049: II. Andante | Johann Sebastian Bach, Musica Amphion, Pieter-Jan Belder | E♭ Minor | 1 | 2A | 132 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Suite No. 12 in C Major, FbWV 612: I. Allemande: Lamento sopra la dolorosa oerdita della Real Msta di Ferdinando IV, Re de Romani | Johann Jakob Froberger, Władysław Kłosiewicz | F♯ Major | 1 | 2B | 143 BPM | ||
Flute Concerto in G Major, QV 5:165: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 68 BPM | ||
Concerto XVI In Fa Maggiore, Per Due Oboi, Archi E Continuo: I. Allegro | Alessandro Marcello, Venice Baroque Orchestra | B Major | 1 | 1B | 138 BPM | ||
Cello Sonata in G Minor, Op. 1 No. 4: I. Adagio | Benedetto Marcello, Roel Dieltiens, Richte Van Der Meer, Robert Kohnen | F♯ Minor | 0 | 11A | 70 BPM | ||
Concerto in G Minor: III. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 136 BPM | ||
Mystery (Rosary) Sonata No. 15, "The Beatification of the Virgin"*: I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B Major | 0 | 1B | 129 BPM |
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