"The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): March 27 and 28, 1974" by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra was released on May 2, 1978. With The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): March 27 and 28, 1974 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 21 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. The popularity of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): March 27 and 28, 1974 is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): March 27 and 28, 1974 by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
War Requiem, Op. 66: vii. Dies Irae - Liber scriptus | Benjamin Britten, Gianandrea Noseda, Sabina Cvilak, London Symphony Chorus, London Symphony Orchestra | E Major | 0 | 12B | 64 BPM | ||
Capriccio Espagnol, Op. 34: I. Alborada | Nikolai Rimsky-Korsakov, George Szell, Cleveland Orchestra | A Major | 3 | 11B | 127 BPM | ||
Tristan und Isolde / Act 3: (Man hört einen Hirtenreigen/The Sound Of A Shepherd's Pipe Is Heard/On entend une mélodie de berger) | Richard Wagner, Staatskapelle Dresden, Carlos Kleiber | D♭ Major | 0 | 3B | 139 BPM | ||
Suite No. 2, P. 138: II. Danza Rustica: Allegretto | Ottorino Respighi, RTÉ National Symphony Orchestra | A Major | 1 | 11B | 98 BPM | ||
Stravinsky: Petrouchka, Tableau III "Chez le Maure": Chez le Maure (1947 Version) | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | C Major | 0 | 8B | 123 BPM | ||
The Foggy Foggy Dew | Traditional, Sir Peter Pears, Benjamin Britten | A♭ Major | 0 | 4B | 98 BPM | ||
Coppelia: Act II - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 86 BPM | ||
Coppelia: Act II - Chanson a boire et Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 81 BPM | ||
Peter and the Wolf, Op. 67 (Remastered): The Story Begins | Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra | G Major | 2 | 9B | 100 BPM | ||
Bilder einer Ausstellung: Nr. 6 Samuel Goldenberg und Schmuyle | Modest Mussorgsky, Karl Anton Rickenbacher | F♯ Minor | 0 | 11A | 95 BPM |
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