"Hymn to Christ the King" by Mother Cecilia Martina Snell, Benedictines of Mary, Queen of Apostles was released on March 31, 2024. The duration of Hymn to Christ the King is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Hymn to Christ the King's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Sister Wilhelmina At Ephesus". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Hymn to Christ the King's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hymn to Christ the King by Mother Cecilia Martina Snell, Benedictines of Mary, Queen of Apostles having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Joseph Celebrent | Mount St. Mary's Vespers Schola | E Minor | 2 | 9A | 182 BPM | ||
Credo | Schola Grégorienne De L'Université De Strasbourg | E♭ Major | 2 | 5B | 134 BPM | ||
Let All Mortal Flesh, Valaam Chant | Cherubika | E Minor | 1 | 9A | 65 BPM | ||
Be Still | The London Fox Taize Choir | D Minor | 1 | 7A | 74 BPM | ||
Regnum mundi et omne ornatum, IJL 13 | Jean L'héritier, Pro Musica, Szabó Dénes | F Major | 1 | 7B | 81 BPM | ||
27 2- and 3- Part Choruses, BB 111, Vol. 3: No. 1. Ne menj el (Don't Leave Me) | Béla Bartók, Schola Hungarica, László Dobszay | B♭ Minor | 0 | 3A | 76 BPM | ||
Seguir-Te-Ei | Sara Silva, José Gomes, Carla Marques Coelho, Alexandra Alves, Fábio Francisco, Vítor Duro, Eugénia Francisco, Fernando Fernandes, Liliana Magalhães | D Major | 1 | 10B | 90 BPM | ||
8th Gospel Pericope | Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir | A♭ Major | 1 | 4B | 83 BPM | ||
O Queen of the Holy Rosary | Emily Shapcote, Benedictines of Mary, Queen of Apostles | A♭ Major | 0 | 4B | 77 BPM | ||
Dieu au-delà de tout créé | Choeur des Moines de l'Abbaye de Tamié | C Major | 1 | 8B | 113 BPM |
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