"8th Gospel Pericope" by Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir was released on March 31, 2014. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 17 in All Creation Trembled by Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir. 8th Gospel Pericope is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 8th Gospel Pericope by Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Εκτενής | Χορός Βατοπαιδινών Πατέρων | G Major | 1 | 9B | 137 BPM | ||
Come, Bow Down Before Christ | "Drevnerussky Rospev" Male Choir | D♭ Major | 0 | 3B | 71 BPM | ||
Господи, помилуй. Молитва по Пресвятой Троице - Молитвы утренние | Хор братии Свято-Успенской Киево-Печерской Лавры, иеродиакон Кирилл (Борисевич) | B Major | 2 | 1B | 169 BPM | ||
Laudes de sainte Ursule: VIII. Antienne De Patria | Hildegard von Bingen, Ensemble Organum, Marcel Pérès | B♭ Minor | 0 | 3A | 72 BPM | ||
What God Is as Great as Our God | Holy Transfiguration Monastery | C Major | 3 | 8B | 76 BPM | ||
Psalm 145 | Byzantion | D Major | 1 | 10B | 56 BPM | ||
Meddley: Defte Lai (Byzantine Chant XIII C.), Aksion Estin [Byzantine Chant XV C.], Hristos Anesti [Byzantine Traditional Chant] | The Chamber Choir of St. Peter Cetinje Seminary, Mihajlo Lazarević | E Major | 3 | 12B | 82 BPM | ||
Laudes de sainte Ursule: XV. Psaume 148 "Laudate Dominum" | Hildegard von Bingen, Ensemble Organum, Marcel Pérès | B♭ Minor | 0 | 3A | 72 BPM | ||
O Tébe Ráduyetsia | Rev Dr Ivan Moody, Cappella Romana | B Minor | 1 | 10A | 110 BPM | ||
Now Lettest Thou Thy Servant Depart in Peace | Men's Choir of the Valaam Singing Culture Institute | B Major | 1 | 1B | 82 BPM |
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