Christoph Willibald Gluck, Edita Gruberova/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra's 'Orfeo ed Euridice (Vienna version, 1762), Act I, Scene 2: Gli sguardi trattieni' came out on January 1, 1995. The duration of Orfeo ed Euridice (Vienna version, 1762), Act I, Scene 2: Gli sguardi trattieni is about 3 minutes long, at 3:27. Based on our data, "Orfeo ed Euridice (Vienna version, 1762), Act I, Scene 2: Gli sguardi trattieni" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Edita Gruberova's "Great Moments of Edita Gruberova" album is number 1 out of 44. The popularity of Orfeo ed Euridice (Vienna version, 1762), Act I, Scene 2: Gli sguardi trattieni is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orfeo ed Euridice (Vienna version, 1762), Act I, Scene 2: Gli sguardi trattieni by Christoph Willibald Gluck, Edita Gruberova/Philharmonia Orchestra/Leslie Pearson/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30, Act 2: Ballo [3] | Christoph Willibald Gluck, David Bates, La Nuova Musica | A Major | 1 | 11B | 126 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Orfeo ed Euridice, Wq. 30, Act 3: Orfeo, che fai? | Christoph Willibald Gluck, David Bates, La Nuova Musica, Iestyn Davies, Sophie Bevan, Rebecca Bottone | A Major | 1 | 11B | 126 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Ravel: A la manière de... Borodine, M. 63 | Maurice Ravel, Bertrand Chamayou | F♯ Major | 1 | 2B | 83 BPM | ||
Violin Sonata No. 5 in F Major, Op. 24 "Spring": I. Allegro | Ludwig van Beethoven, Gidon Kremer, Martha Argerich | F Major | 1 | 7B | 147 BPM | ||
Iphigenia auf Tauris, Wq. 46, Act III: Act III Scene 5: Trotz deiner Grausamkeit entreiss ich dich dem Tod! (Orestes, Iphigenie, Pylades) | Christoph Willibald Gluck, Pilar Lorengar, Walton Groenroos, Franco Bonisolli, Munich Radio Orchestra, Lamberto Gardelli | C Major | 2 | 8B | 118 BPM | ||
Kinderszenen, Op. 15: No. 10 Fast zu ernst | Robert Schumann, Wilhelm Kempff | G Major | 0 | 9B | 69 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM |
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