"Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Act I: Dieb! Da, nimm! (Bruder, Frau, Barak)" by Richard Strauss, Franz Mayer, Bjorn Burger, Frankfurter Opern- und Museumsorchester, Hans-Jurgen Lazar, Sabine Hogrefe, Terje Stensvold, Sebastian Weigle had its release date on October 2, 2015. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Act I: Dieb! Da, nimm! (Bruder, Frau, Barak)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 43 in the song's album "R. Strauss: Die Frau ohne Schatten, Op. 65, TrV 234". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Act I: Dieb! Da, nimm! (Bruder, Frau, Barak) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Act I: Dieb! Da, nimm! (Bruder, Frau, Barak) by Richard Strauss, Franz Mayer, Bjorn Burger, Frankfurter Opern- und Museumsorchester, Hans-Jurgen Lazar, Sabine Hogrefe, Terje Stensvold, Sebastian Weigle having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alphorn, o. Op. | Richard Strauss, Christiane Karg, Malcolm Martineau, Felix Klieser | D Major | 3 | 10B | 78 BPM | ||
I vespri siciliani: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Major | 2 | 12B | 77 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Piano Concerto in G Major, M. 83: 1. Allegramente | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | D Major | 1 | 10B | 129 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
String Quintet In C, D. 956: 3. Scherzo (Presto) - Trio (Andante sostenuto) | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | C Major | 2 | 8B | 107 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
Elektra: Ii. Allein! Weh, ganz allein | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | D♭ Major | 5 | 3B | 118 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 4, Variation de la glace | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM |