"Die Vögel / Act 2: Horch! Es wehet der Tag heran, ich gehe zu ruh'n" by Walter Braunfels, Hellen Kwon, Deutsches Symphonie-Orchester Berlin, Lothar Zagrosek was released on August 5, 1996. With this song being about 5 minutes long, at 5:08, "Die Vögel / Act 2: Horch! Es wehet der Tag heran, ich gehe zu ruh'n" by Walter Braunfels, Hellen Kwon, Deutsches Symphonie-Orchester Berlin, Lothar Zagrosek is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 29 in Braunfels: Die Vögel by Walter Braunfels, Deutsches Symphonie-Orchester Berlin, Lothar Zagrosek. Die Vögel / Act 2: Horch! Es wehet der Tag heran, ich gehe zu ruh'n is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Vögel / Act 2: Horch! Es wehet der Tag heran, ich gehe zu ruh'n by Walter Braunfels, Hellen Kwon, Deutsches Symphonie-Orchester Berlin, Lothar Zagrosek is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 2: Dir, der Unberührbaren - Du schwebst zu Höhen | Gustav Mahler, Leah Crocetto, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Philharmonic, Gustavo Dudamel | E Major | 2 | 12B | 76 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: III. Der Anstieg | Richard Strauss, Andrés Orozco-Estrada, Hr-sinfonieorchester | E♭ Major | 2 | 5B | 65 BPM | ||
Petite messe solennelle: VI. Gloria. Gratias | Gioachino Rossini, Giulio Prandi, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti | A Minor | 0 | 8A | 144 BPM | ||
Four Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): III. Beim Schlafengehen | Richard Strauss, Asmik Grigorian, Markus Hinterhäuser | D Major | 1 | 10B | 90 BPM | ||
Tag- und Nachtstücke, Op. 44: III. Geschwindmarsch | Walter Braunfels, Constantin Trinks, Markus Becker, Rundfunk-Sinfonieorchester Berlin | F Major | 3 | 7B | 80 BPM | ||
Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
Tag- und Nachtstücke, Op. 44: I. Ruhig | Walter Braunfels, Markus Becker, Constantin Trinks, Rundfunk-Sinfonieorchester Berlin | A Major | 0 | 11B | 67 BPM | ||
Katya Kabanova, JW I/8, Act II Scene 2: Introduction | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | A♭ Major | 0 | 4B | 79 BPM | ||
Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | C Major | 3 | 8B | 134 BPM |
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