Tapestry Chamber Singers's 'Eternal Light, Shine in My Heart' came out on August 27, 2021. With Eternal Light, Shine in My Heart being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Upon This Path: Hymns for Church, Choir, And Life". In this album, this song's track order is #17. In terms of popularity, Eternal Light, Shine in My Heart is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Eternal Light, Shine in My Heart by Tapestry Chamber Singers having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. John Passion, Part I: Hymn - Drop, Drop Slow Tears | Bob Chilcott, Chaconne Brass, Wells Cathedral Choir, Wells Cathedral Oratorio Society, Wells Cathedral Voluntary Choir, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Matthew Owens | E♭ Major | 1 | 5B | 109 BPM | ||
Come, Ye Disconsolate | Tapestry Chamber Singers | A♭ Major | 1 | 4B | 86 BPM | ||
First Antiphon - Arch. Matthew | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | D♭ Major | 2 | 3B | 85 BPM | ||
Mercy Rushes in Reprise | Traditional Song, The Carmelite Sisters of the Most Sacred Heart of Los Angeles | F Major | 3 | 7B | 122 BPM | ||
Annelies (chamber version): II. The capture foretold | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 101 BPM | ||
To Sing of Love - A Triptych: II. Perilously | Taylor Scott Davis, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Jack Liebeck, Barnaby Smith | C Minor | 1 | 5A | 78 BPM | ||
Children of the Heavenly Father | Oasis Chorale, Wendell Nisly | B♭ Major | 0 | 6B | 70 BPM | ||
To Sing of Love - A Triptych: I. Effortlessly | Taylor Scott Davis, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Jack Liebeck, Barnaby Smith | A Major | 1 | 11B | 94 BPM | ||
Modimo, reboka Wena - Directed by John Woodland | University of Cape Town Choir | F♯ Minor | 2 | 11A | 120 BPM | ||
いつもいつものアレルヤ | 子羊の群れキリスト教会 | D Minor | 0 | 7A | 124 BPM |
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