"Leclair: Scylla et Glaucus, Op. 11, Act 3: "Pourquoi vous obstiner à vivre sous mes lois ?" (Scylla, Glaucus)" by Jean-Marie Leclair, John Eliot Gardiner, Donna Brown, Howard Crook, English Baroque Soloists was released on February 24, 2023. The duration of Leclair: Scylla et Glaucus, Op. 11, Act 3: "Pourquoi vous obstiner à vivre sous mes lois ?" (Scylla, Glaucus) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Leclair: Scylla et Glaucus, Op. 11, Act 3: "Pourquoi vous obstiner à vivre sous mes lois ?" (Scylla, Glaucus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Marie Leclair, Donna Brown, Howard Crook, English Baroque Soloists, John Eliot Gardiner's "Leclair: Scylla et Glaucus, Op. 11" album is number 58 out of 98. On top of that, France appears to be the country where this track was created. Leclair: Scylla et Glaucus, Op. 11, Act 3: "Pourquoi vous obstiner à vivre sous mes lois ?" (Scylla, Glaucus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leclair: Scylla et Glaucus, Op. 11, Act 3: "Pourquoi vous obstiner à vivre sous mes lois ?" (Scylla, Glaucus) by Jean-Marie Leclair, John Eliot Gardiner, Donna Brown, Howard Crook, English Baroque Soloists to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Sonata in E Minor: I. Grave | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 83 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Concerto for 2 Flutes & Bassoon in G Major, TWV 53:G1: III. Largo | Georg Philipp Telemann, Barthold Kuijken, Leela Breithaupt, Stephanie Corwin, Indianapolis Baroque Orchestra | D♭ Major | 0 | 3B | 117 BPM | ||
Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM | ||
Leclair: Violin Concerto in D Major, Op. 10 No. 3: II. Andante | Jean-Marie Leclair, Jean-François Paillard, Gerard Jarry, Orchestre de chambre Jean-François Paillard | D Major | 2 | 10B | 107 BPM | ||
Concerto in D Major | Johann Friedrich Fasch, Vienna Pro Musica, Vinzenz Hladky, Elfriede Kunschak | D Major | 3 | 10B | 119 BPM | ||
Concerto Grosso No. 3 in F Major: II. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 138 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM | ||
Oboe Concerto in D Minor, S. Z799: III. Presto | Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | D Minor | 5 | 7A | 103 BPM |
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