"La Bohème: Act I: O soave fanciulla" by Giacomo Puccini, Plácido Domingo, Montserrat Caballé, Sherrill Milnes, Sir Georg Solti, London Philharmonic Orchestra was released on 1974. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 37 in the song's album "Puccini: La Bohème - The Sony Opera House". In this album, this song's track order is #13. La Bohème: Act I: O soave fanciulla is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème: Act I: O soave fanciulla by Giacomo Puccini, Plácido Domingo, Montserrat Caballé, Sherrill Milnes, Sir Georg Solti, London Philharmonic Orchestra having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Tannhäuser, Act II: "Dich, teure Halle, grüss ich wieder" (Elisabeth) [Dresden Version] | Richard Wagner, Jessye Norman, Klaus Tennstedt, London Philharmonic Orchestra | D♭ Major | 1 | 3B | 175 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
La Wally/Ebben, Ne Andrò Lontana | Montserrat Caballé, Orquesta Sinfónica de Barcelona | E Minor | 1 | 9A | 79 BPM | ||
Norma / Act 1: Casta Diva [Norma] | Vincenzo Bellini, Renée Fleming, London Voices, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 59 BPM | ||
Nessun dorma! from Turandot | Plácido Domingo | D Major | 4 | 10B | 80 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
El Huésped del Sevillano: Raquel (Romanza No. 10) | Jacinto Guerrero, Plácido Domingo, Manuel Moreno-Buendia | A Major | 2 | 11B | 79 BPM | ||
Turandot / Act 1: "Non piangere, Liu" | Giacomo Puccini, Barbara Hendricks, Plácido Domingo, Ruggero Raimondi, Wiener Philharmoniker, Herbert von Karajan | E♭ Minor | 2 | 2A | 65 BPM |
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