"Psalm 89:8 "Gij toch, Gij zijt hun roem, de kracht van hunne kracht"" by Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort was released on 2016. With Psalm 89:8 "Gij toch, Gij zijt hun roem, de kracht van hunne kracht" being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Psalmcomposties voor Koor en Orgel Vol. 3". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Netherlands. Psalm 89:8 "Gij toch, Gij zijt hun roem, de kracht van hunne kracht" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 89:8 "Gij toch, Gij zijt hun roem, de kracht van hunne kracht" by Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Herr, nun lässest Du Deinen Diener, SWV 352a | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM | ||
Nisi Dominus, RV 608: VI. Beatus vir | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Laudate pueri, HWV 237: II. Sit nomen Domini | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Silete venti, HWV 242: IV. Date serta, date flores | George Frideric Handel, Elly Ameling, English Chamber Orchestra, Raymond Leppard | F♯ Major | 3 | 2B | 83 BPM | ||
Kommt her zu mir alle, TVWV 1:1008: XIV. 2. Chor: Kommt her zu mir alle | Georg Philipp Telemann, Hamburger Ratsmusik, Simone Eckert, Hanna Zumsande, Geneviève Tschumi, Mirko Ludwig, Klaus Mertens | A♭ Minor | 1 | 1A | 86 BPM | ||
Elijah, Op. 70, MWV A 25 (Excerpts): No. 31, Sei stille dem Herrn | Felix Mendelssohn, Ema Nikolovska, Munich Radio Orchestra, Bavarian Radio Chorus, Howard Arman | D Major | 2 | 10B | 97 BPM | ||
Gagliarda Terza detta la Talianella | The Royal Wind Music | A♭ Major | 1 | 4B | 169 BPM | ||
Flute Sonata No. 2 in G Minor, Op. 91: III. Gayement | Joseph Bodin de Boismortier, Wilbert Hazelzet, Gerard de Wit | D♭ Minor | 1 | 12A | 76 BPM | ||
Vesper Voluntaries, op. 14: no. 6 | Edward Harte | G Minor | 0 | 6A | 65 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: VII. Domine Deus, Agnus Dei: Allegro | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | D Major | 3 | 10B | 120 BPM |
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