"English Eccentrics Choral Suite: I. Goose-Weather" by Malcolm Williamson, Joyful Company Of Singers, Peter Broadbent was released on July 25, 2006. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Williamson: Choral Music by Malcolm Williamson. The song's track number on the album is #7 out of 22 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. The popularity of English Eccentrics Choral Suite: I. Goose-Weather is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since English Eccentrics Choral Suite: I. Goose-Weather by Malcolm Williamson, Joyful Company Of Singers, Peter Broadbent has a tempo of 164 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With English Eccentrics Choral Suite: I. Goose-Weather being at 164 BPM, the half-time would be 82 BPM with a double-time of 328 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
Préludes, Book 2, L. 123 (Excerpts): No. 7, La terrasse des audiences du clair de lune | Claude Debussy, Jorge Federico Osorio | F♯ Major | 0 | 2B | 74 BPM | ||
Concerto for 2 Pianos and Orchestra in D Minor, FP. 61: I. Allegro ma non troppo | Francis Poulenc, Mari Kodama, Momo Kodama, Orchestre de la Suisse Romande, Kent Nagano | D Major | 2 | 10B | 114 BPM | ||
7 Piano Pieces, Op. 1: No. 6, Pastorale | Halfdan Cleve, Eva Knardahl | A Minor | 0 | 8A | 75 BPM | ||
Poëme pastoral: V. Crépuscule (Arr. Hough for Piano) | Jules Massenet, Stephen Hough | E♭ Major | 2 | 5B | 104 BPM | ||
Apollon Musagète, K. 048: VII. Variation d'Apollon | Igor Stravinsky, BBC Philharmonic, Andrew Davis | A Minor | 0 | 8A | 97 BPM | ||
Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
Sonate pour flûte et piano, Op. 64: I. Andantino con moto | Mel Bonis, Mathilde Calderini, Aurèle Marthan | F♯ Major | 0 | 2B | 66 BPM | ||
Ballade, L. 78 (Arr. For Cello And Piano By Olivier Hébert-Bouchard) | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A♭ Major | 0 | 4B | 170 BPM | ||
Clarinet Sonata in D Major: II. Andante (quasi adagio) | Nino Rota, Goran Gojevic, Mary Kenedi | B♭ Major | 1 | 6B | 82 BPM |
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