Oboe Concerto in B-Flat Major, Op. 9, No. 11: II. Adagio
Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis
Lugna blå timmar – Harmonisk klassisk musik
3:31 January 1, 1997
BPM
82
Key
E♭ Major
Camelot
5B

Embed

Share Link

Oboe Concerto in B-Flat Major, Op. 9, No. 11: II. Adagio - Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis Information

Acousticness
92%
Danceability
8%
Energy
7%
Instrumentalness
92%
Liveness
11%
Loudness
61%
Speechiness
4%
Valence
3%
Popularity
Loudness
-23.276 dB

Summary

"Oboe Concerto in B-Flat Major, Op. 9, No. 11: II. Adagio" by Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis was released on January 1, 1997. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists, Stephen Gunzenhauser, John Georgiadis, István Párkányi, Peter Breiner, Oliver von Dohnanyi, Jozef Kopelman, Richard Edlinger, Johannes Wildner, Ondrej Lenard, Jaroslav Krcek, András Ligeti, Barry Wordsworth, Kenneth Jean, Robert Stankovsky, Antoni Wit, Alfred Walter, Gerhard Markson, Adrian Leaper, Anthony Bramall, Keith Clark's "Lugna blå timmar – Harmonisk klassisk musik" album is number 2 out of 43. On top of that, Hong Kong appears to be the country where this track was created. Oboe Concerto in B-Flat Major, Op. 9, No. 11: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Oboe Concerto in B-Flat Major, Op. 9, No. 11: II. Adagio BPM

We consider the tempo marking of Oboe Concerto in B-Flat Major, Op. 9, No. 11: II. Adagio by Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Oboe Concerto in B-Flat Major, Op. 9, No. 11: II. Adagio Key

This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Pergolesi: Stabat mater: XII. Quando corpus morietur by Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I BarocchistiPergolesi: Stabat mater: XII. Quando corpus morieturGiovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I BarocchistiA Minor08A73 BPM
Albinoni: Adagio in G Minor by Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the FieldsAlbinoni: Adagio in G MinorTomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the FieldsC Minor15A90 BPM
Keyboard Sonata in D Minor, Kk. 1 by Domenico Scarlatti, Ivo PogorelichKeyboard Sonata in D Minor, Kk. 1Domenico Scarlatti, Ivo PogorelichD Minor17A107 BPM
Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio by Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea MionConcerto in D Minor for Oboe, Strings and Continuo: II. AdagioAlessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea MionD♭ Minor112A68 BPM
Pergolesi: Stabat Mater: III. O quam tristis et afflicta by Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I BarocchistiPergolesi: Stabat Mater: III. O quam tristis et afflictaGiovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I BarocchistiF♯ Minor111A111 BPM
Symphony No. 2 in A Major, Op. 2, Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto AllegroWilliam Boyce, Aradia Ensemble, Kevin MallonA♭ Major14B181 BPM
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio by Franz Schubert, Alexandre Tharaud, Jean-Guihen QueyrasSonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. AdagioFranz Schubert, Alexandre Tharaud, Jean-Guihen QueyrasE Major012B91 BPM
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78Felix Mendelssohn, Jan LisieckiG Minor06A168 BPM
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) by Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu HerzogOrfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings)Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu HerzogB Minor110A87 BPM
Die Entführung Aus Dem Serail - Arie : Ach, iche liebte, war so... by Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger BarockorchesterDie Entführung Aus Dem Serail - Arie : Ach, iche liebte, war so...Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger BarockorchesterF Major17B122 BPM
ISRC
HKI199292709
Label
L-M Records/RCA Records

Section: 0.6422121524810791

End: 0.6460986137390137