Ludwig Minkus, London Symphony Orchestra, Richard Bonynge's 'Don Quixote: Pas de deux' came out on January 1, 1963. Since Don Quixote: Pas de deux is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "The Art Of The Prima Ballerina". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. The popularity of Don Quixote: Pas de deux is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Don Quixote: Pas de deux by Ludwig Minkus, London Symphony Orchestra, Richard Bonynge having a BPM of 179 with a half-time of 90 BPM and a double-time of 358 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in E Minor, Op. 27: IV. Allegro vivace | Sergei Rachmaninoff, Sir Simon Rattle, London Symphony Orchestra | F♯ Minor | 2 | 11A | 89 BPM | ||
La Bayadere: Variation 4: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 0 | 11B | 91 BPM | ||
Die tote Stadt - Arr. Franz Willms: Tanzlied des Pierrot | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 2 | 3B | 98 BPM | ||
Symphony No. 5 in C Minor, Op. 67: Allegro con brio | Ludwig van Beethoven, NDR-Sinfonieorchester, Günter Wand | B Major | 0 | 1B | 168 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Egmont, Op. 84 | Slovak Philharmonic, Ludwig van Beethoven, Johann Wolfgang von Goethe | F Minor | 1 | 4A | 80 BPM | ||
Finale from William Tell Overture | Gioachino Rossini, Barry Wordsworth, London Symphony Orchestra | E Major | 5 | 12B | 157 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
Overture "A Midsummer Night's Dream", Op.21 | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 139 BPM | ||
The Four Seasons: Winter, I. Allegro non molto | Academy of St. Martin in the Fields | F Minor | 2 | 4A | 77 BPM |
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