Franz Joseph Haydn, Sir Colin Davis, London Symphony Orchestra, Sally Matthews, Dietrich Henschel made "The Creation, Hob.XXI:2, Part III, No. 31: Von Deiner Gut', O Herr Und Gott" available on June 9, 2009. The Creation, Hob.XXI:2, Part III, No. 31: Von Deiner Gut', O Herr Und Gott appears to be safe for all ages as it is not explicit. The track order of this song in Franz Joseph Haydn, Dietrich Henschel, London Symphony Orchestra, Sir Colin Davis's "Haydn: The Creation (Die Schöpfung)" album is number 17 out of 35. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Creation, Hob.XXI:2, Part III, No. 31: Von Deiner Gut', O Herr Und Gott is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Creation, Hob.XXI:2, Part III, No. 31: Von Deiner Gut', O Herr Und Gott by Franz Joseph Haydn, Sir Colin Davis, London Symphony Orchestra, Sally Matthews, Dietrich Henschel to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Schöpfung Hob. XXI:2 / Erster Teil: Einleitung - Rezitativ und Chor: "Im Anfange" | Franz Joseph Haydn, Gösta Winbergh, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | A♭ Major | 0 | 4B | 80 BPM | ||
Proserpine: Overture in D Major: III. Allegro | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | D Major | 5 | 10B | 99 BPM | ||
Keyboard Concerto No. 5 in F Minor, BWV 1056: I. [Allegro] | Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin | B♭ Minor | 3 | 3A | 143 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) | Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 70 BPM | ||
Piano Trio No. 12, Hob. XV: 36: Piano Trio No. 12, Hob. XV: 36: II. Polones | Joseph Haydn, Trio Gaspard | E♭ Major | 1 | 5B | 142 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Hummel: Trumpet Concerto In E Flat - I Allegro Con Spirito | Johann Nepomuk Hummel, Tine Thing Helseth | B♭ Major | 1 | 6B | 136 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: III. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 157 BPM | ||
String Quartet No. 1 in G Major, K. 80: IV. Rondeau: Allegro | Eder Quartet | G Major | 1 | 9B | 118 BPM |
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