Giovanni Mossi, Simon Standage, Collegium Musicum 90's 'Concerto Grosso in G Minor, Op. 4 No. 12: III. Adagio' came out on May 1, 2017. The duration of Concerto Grosso in G Minor, Op. 4 No. 12: III. Adagio is about 3 minutes long, at 3:00. Based on our data, "Concerto Grosso in G Minor, Op. 4 No. 12: III. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Simon Standage, Collegium Musicum 90's "Maestro Corelli's Violins" album is number 24 out of 25. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Concerto Grosso in G Minor, Op. 4 No. 12: III. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto Grosso in G Minor, Op. 4 No. 12: III. Adagio by Giovanni Mossi, Simon Standage, Collegium Musicum 90 to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata No. 5 in D Major, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM | ||
Ascanio, Sinfonia: II. [Sarabande] | Antonio Lotti, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
Mystery (Rosary) Sonata No. 2 in A Major, The Visitation: II. Allaman[da] | Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti | E Major | 4 | 12B | 84 BPM | ||
26 Sonatas: No. 9, Violin Sonata in A Major, B.A1 / GT 2.A01: IV. Menuet | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Mystery (Rosary) Sonata: No. 3 in B Minor “The Nativity”: I. Sonata | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Cazzati: La Strozza | Maurizio Cazzati, Christina Pluhar, L'Arpeggiata | C Major | 2 | 8B | 82 BPM | ||
Concerto Grosso No. 1 in A Major (after D. Scarlatti): III. Amoroso | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 79 BPM | ||
Céphale et Procris, Prologue: Ouverture | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Sonata Op. 1 No.5 in B Minor: Allegro (3) | Giovanni Mossi, Musica Antiqua Roma, Riccardo Minasi | A Major | 3 | 11B | 117 BPM | ||
Oratorio Maria dolorata: Sinfonia | Leonardo Vinci, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM |
Section: 0.613741397857666
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